Click on a thumbnail to expand
SOLD. Thames at Bishops Park
SOLD. Thames at Bishops Park

Acrylic on canvas board. 87x87cm SOLD

press to zoom
SOLD. Under the Arches
SOLD. Under the Arches

Acrylic/chinagraph on canvas. 87x87 cm SOLD

press to zoom
SOLD. Making a Run for it.
SOLD. Making a Run for it.

Acrylic/chinagraph on canvas. 87x87cm SOLD

press to zoom
SOLD. What the River Knew.
SOLD. What the River Knew.

Acrylic on canvas 87 x 87 cm SOLD

press to zoom
SOLD. The River's Tale
SOLD. The River's Tale

Oil/pastel/charcoal/shellac on canvas 100 x 100 cm SOLD

press to zoom
SOLD. Putney Bridge I
SOLD. Putney Bridge I

Acrylic/pastel/charcoal on wood SOLD

press to zoom
SOLD. Cremorne Gardens Jetty I
SOLD. Cremorne Gardens Jetty I

Acrylic/charcoal on paper 63.5 x 89 cm SOLD

press to zoom
SOLD. Cremorne Gardens Jetty II
SOLD. Cremorne Gardens Jetty II

Acrylic/charcoal on paper 55 x 40 cm SOLD

press to zoom
SOLD. Low Tide at Putney IV
SOLD. Low Tide at Putney IV

Acrylic on card 42.5 x 38.5 cm SOLD

press to zoom

THE THAMES - LONDON'S MIGHTY RIVER

 

215 miles long. The source is at Thames Head, Gloucestershire. The mouth is at the Thames Estuary, Southend. It enters our city at Teddington. It has a rise and fall of 7 metres. It is fed by 38 named tributaries. It drains the whole of Greater London.

 

When I began to research The Thames for the show, I discovered our great river triggers an emotional response.  Its muddy waters have inspired poets, writers, artists alike including me. Monolithic and overwhelming in places, twee and babbling in others, it provides us with a rare open space that constantly changes with the tide – a welcome counterbalance to the order and structure of the modern metropolis that is London. People have swum in it, wept into it.  Londoners cross over it and under it every day.  Moving, rushing, sucking, The Thames harbours thousands of years of treasures and detritus of a huge groaning city. Shards of Roman pottery sit alongside decaying carcasses of traffic cones and shopping trolleys. It is more than a simple geographical feature. It has a life and an energy of its own.

 

For this series, my work is based on formal associations which open a unique poetic vein. I have used bodies of the text I discovered, from the poems of Rudyard Kipling to the lyrics of a song by the Kinks, to fuel my work.  Some of the text appears in the paintings.  Sometimes it lies hidden beneath the paint, like the secrets the Thames conceals.